“Whenever you’re going through a bad day just remember, your track record for getting through bad days, so far, is 100%; and that’s pretty damn good.”
My amazing friend (via pain-is-temporary-keep-fighting)

(Source: )

(Source: wiccan.co.vu)

“When she breaks down during her first Drift and almost trashes the Hong Kong Shatterdome, this isn’t an example of female emotional weakness. In fact, it’s exactly what a male hero would’ve done in the same circumstances. Now, I don’t mean that in the sense that “this female character is just the same as a male character, so she’s awesome!” because a) that’s a bullshit concept, and b) Mako Mori isn’t like a male character: she’s a woman, and is also a hero, and she has character flaws and a tragic past, just like Raleigh.

Raleigh spent five years self-flagellating in an Alaskan construction site to deal with the death of his brother; Mako briefly succumbed to a flashback of her home being destroyed by a Kaiju. They both have their “weaknesses”, because they are both human beings who have experienced pain and loss.

Before a hero can “win” or get their happy ending, they have to overcome two things: their own internal problems, and The Enemy. This is true of everything from 3000-year-old myths to Disney movies. Basically, Mako Mori (or any character in her position) had to fuck up before she succeeded, otherwise there would be no conflict, and the movie would be crap.”
Female Characters ChallengeA female character in a sci-fi show movie

↳ Mako Mori

51 drops, 51 kills.




can you imagine how much the Jaeger Program meant to the poor and weak of the world?

like it is explicitly stated that the rich and powerful lived way inland, safer from the kaiju than those along the Pacific coastlines of the world. Can you imagine the interiors of various countries gentrifying, forcing lower-income families further and further from safety? Can you imagine having to tell your kids that you can’t afford your suddenly hyper-expensive home in, say, Idaho, and your best chance of being able to get an affordable house is on the coast of Oregon, where any day an enormous monster could pop up to say ‘hi fuck all of you’?

can you imagine how beloved the jaeger pilots are by the people on the coast? how happy they are that the battles are taking place out in the ocean rather than on top of their houses?


I just want to know precisely everything about the world of Pacific Rim not even just about the pilots I want to know about the average people living on the front lines of this horrible alien war and what sort of things they think about every day and how they live their lives and what kind of dumb blog posts they make and I want to see the riots that started over the Wall because no fuck you, you can’t take away their giant metal protectors and leave them with a wall that’s practically nothing, how dare you

This is why the “life wall” was bullshit and it’s hilarious that mostly the poor and disenfranchised would be working to build it and it wouldn’t even protect them.

The main purpose of the life wall project was probably to keep a steady supply of unskilled work along the coastline, as part of a one-two punch with the gentrification of the inland. If the only jobs are on the wall and the wall is by definition along the coast…

But notice that while they were supposedly racing to get the walls finished they were also handing out a finite amount of jobs. The largest civil engineering/public works program in the history of ever, and they still made it a buyers’ market for the employers. They still made people compete for the right to work for a pittance (bread was a luxury) in unsafe conditions.

I keep wondering what the actual endgame of the world leaders was… if they didn’t think the Kaiju would ever strike farther inland if left to run rampant, or if they thought the walls and the target-rich environment on the other side of them would always slow them down enough to be brought down with conventional weaponry, but at the end of the day I think it’s perfectly realistic to believe they had no endgame.

What’s the endgame on denying climate change? What’s the endgame on vulture capitalism destroying the consumer class that makes capitalism possible? What’s the endgame on propping up this quarter’s profits by stripmining the future? Strategies that literally have no future in them still win out.

There have been studies that show that neurologically speaking, we regard our own future selves as different people, that when we contemplate consequences of our actions down the road, the parts of the brain that activate are the same ones that happen when we regard things happening to other people. I think there’s a profound implication in this for how people who lack empathy also seem to lack any sense of long-term self-preservation even they clearly embrace it in the short-term.

The architects of the wall don’t have a plan for the future, because the future is something that happens to other people. In the here and now, they’re a thousand miles form the ocean and that’s good enough.

Newt Geiszler, Pacific Rim

(Source: donniedarkos)

“Unlike Godzilla, Pacific Rim doesn’t try to be serious even when it’s being serious. Characters have names like Stacker Pentecost and Hercules Hansen. The film requires you to believe that the best way to battle a giant monster is to build an even larger robot to fight that monster.

Much of the Act 2 drama derives from inter-pilot tension airlifted from the Val Kilmer scenes in Top Gun. It’s the polar opposite of the Godzilla school of drama, where everyone is a total professional who has absolutely no personal goal besides Saving The World. In Pacific Rim, Idris Elba is Rinko Kikuchi’s Obi-Wan Kenobi, and two of the last Giant Robot-pilots in the world frequently get into sneering fights over who’s the bigger badass, and Charlie Day is a scientist.

So, for all these reasons, Pacific Rim is a movie that I’ve heard perfectly smart people describe as “stupid” or “silly.” The problem with this line of thinking is that, really, that every blockbuster is pretty “silly,” in the context of Things Adults Should Care About. Godzilla is not less stupid than Pacific Rim just because people frown more. […]

The difference, I think, is that Pacific Rim glories in its own silliness. There’s a flashback scene where Idris Elba rescues a little girl, and when he emerges from his giant robot, the sun shines upon him like he’s the catharsis in a biblical epic. There’s a moment when one giant robot swings an oil tanker like a sword. Then it grows a sword out of its wrist. Then it falls from space to earth.

There are real complaints to make about Pacific Rim, I guess, all of them fair and most of them pedantic. I know a lot of people who have issues with the story. (“Why didn’t they use the wrist-sword earlier?” is a popular one.) Conversely, I don’t really know anyone who minds the story in Godzilla, possibly because everything stupid that happens is prefaced by Frowning Watanabe saying “This is why the stupid thing that’s about to happen makes sense.” Godzilla wants so badly to make sense. Pacific Rim wants so badly for Ron Perlman to wear golden shoes.”
Darren Franich, “Entertainment Geekly: A call for an end to serious blockbusters” (via margotkim)

Today… At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them. Today, we are cancelling the apocalypse!

“Aquarius: The world around you might seem very wild, this week. The sky above you might seem too big or too bright. The road in front of you might look too long, too strange, too dark. It’s all going to be okay, and all you have to do right now is keep living, however you can. You don’t have to worry about everything in your life, right now. You don’t have to worry about futures and stories and plans. Just drink enough water. Get enough sleep. Call your friends when you need them. Eat foods that make you strong.”
“The harsh reality is that everything here was fine. We used to have a lot of water in California, but now we don’t. Without a few successive winters of above-average precipitation, we have only enough water in storage to get through the next 12 to 18 months, and that’s it. Beyond that, many of our state and local water managers have thrown up their hands because they just don’t know where our water will come from.”

Paradise Lost, Ed Freeman

(Source: faithistorment.com)

“It’s good at first to be out in the night, naked to the cold mechanics of the stars. Space hurls outward, falconswift, mounting like an irreversible injustice, a final disease. The cold night air is reality at last: indifferent to me as a stone face carved on a high cliff wall to show that the world is abandoned. So childhood too feels good at first, before one happens to notice the terrible sameness, age after age.”
John Gardner, Grendel (1971)